Afrikan Luv Unapologetically Flaunts its African-[ness]

Dzekashu MacViban As a latecomer to the Cameroonian musical scene, hip-hop has been on a gradual but steady rise in an over-congested milieu where, according to Kangsen Feka Wakai, “for at least two decades, it would play fifth fiddle to…

The Spoken Word Scene in Cameroon: From Poetry to Poetography

A shorter version of this article was originally commissioned by the Goethe-Institut and published on www.goethe.de Dzekashu MacViban   Black Alice. Photo Credit: Black Alice For many years, spoken word in Cameroon was like the anecdotal man with the iron…

From Scions of the Malcontent to Men of Contentment

  Wirndzerem G. Barfee     A work of art is, and can be, read from multiple perspectives. One of the most engaging perspectives to read Macviban’s collection, Scions of the Malcontent (SOTM), is by collapsing the opposition between the…

Editorial 04

  Soul Makossa by Cameroonian saxophonist Manu Dibango dates back to 1972 and is often cited as one of the first disco records ever. Over the years, the song has been sampled and alluded to in songs by artists such…

Editorial 03

For many, the “boom generation” of Latin American writing (1960s and 1970s) which ushered in huge international recognition of  Latin America serves as a mixed blessing because, on the one hand it produced writers like as Alejo Carpentier, Julio Cortázar,…

Editorial 03 (en Español)

Traducción Fer de la Cruz Para muchos, la “generación del boom” en la literatura latinoamericana (1960s y 70s), que recibió gran reconocimiento, resulta una bendición no exenta de paradoja ya que, por una parte, produjo escritores de la talla de…

Jack Little : Sometimes foreign writers living in Mexico misconstrue the country in their work

  Jack Little (b. 1987) is a writer from Newcastle, currently based in Mexico City. He has forthcoming poems in Wasafiri, Ink, Sweat and Tears and The Barehands Anthology. He is the founding editor of  The Ofi Press Magazine, which…

Q & A with Ntone Edjabe on Chimurenga, Fela, and Politics

“By developing editorial projects together and assisting each other in areas such as distribution, we quietly mainstream our own aesthetics and reduce our dependency on the global publishing system” Ntone Edjabe   Interviewed by Dzekashu MacViban   Ntone Edjabe was…

Q & A with Paola-Audrey Ndengue on Fashizblack, Fashion & the Black Diaspora

“Fashizblack Magazine is the result of a rather peculiar editorial policy: we are neither an ‘ethnic’ magazine closed up on itself, nor a magazine dedicated to Western fashion in the traditional sense of the expression.” Paola-Audrey Ndengue   Interviewed by…

Editorial

The annihilation of memory is a pathology that still plagues the collective memory of a people in this globalized generation . The plethora of outlets for the written word is one way of keeping the word— and by extension our…

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