Wirndzerem G. Barfee A work of art is, and can be, read from multiple perspectives. One of the most engaging perspectives to read Macviban’s collection, Scions of the Malcontent (SOTM), is by collapsing the opposition between the…
Q & A with Paola-Audrey Ndengue on Fashizblack, Fashion & the Black Diaspora
“Fashizblack Magazine is the result of a rather peculiar editorial policy: we are neither an ‘ethnic’ magazine closed up on itself, nor a magazine dedicated to Western fashion in the traditional sense of the expression.” Paola-Audrey Ndengue Interviewed by…
Sex As Gender/Power Politics Between Men and Women
Wirndzerem G. Barfee One of the first things that after strikes the sensibility of a sensitive reader is the originality of a book’s title. When it comes to poetry; that exigency is doubled. Lum Louisa, on this critical count,…
AYO : Music Is My Therapy
Interviewed by Belinda Otas With her earnest lyrics, a haunting and soothing sound and a raspy, seductive and magnetic voice, AYO has won adoring fans across Europe, North America and Africa, for her openness which many can relate to.…
Low Ebb for Cameroon Cinema (An Excerpt from The Mwalimu’s Reader)
The state of cinema in Cameroon is an all too brooding subject. This is so because the vacuum created by the absence of home made films in a globalised movie world, makes of us a cultural laughing stock. Not that…
Down Media Memory Lane; A Review of The Mwalimu’s Reader
Dzekashu MacViban Fervent listeners of the radio programme Cameroon Calling— which has stood the test of time— will see The Mwalimu’s Reader as a time capsule because each piece will take them back to the period during…
Submissions
submissions are currently OPEN We accept unpublished fiction, non-fiction, poetry, photography, cartoons etc. Submissions must be sent as an attachment including a short biography and picture if available. We accept submissions in English, French & Pidgin English and pay…