Oris Aigbokhaevbolo Oris Aigbokhaevbolo investigates the politics of inclusion (and exclusion) of African movies at The Berlin Film Festival, highlighting Nollywood’s commercial approach to film-making and the problems it poses. The opening sentence of an article in a recent edition…
Sex as Soft Currency; Another Look at Bekolo’s Les Saignantes
Les Saignantes, as a social comment, is music to the ears of doomsayers and a requiem to those with high hopes for the future…